Robert Mintz, post-production
coordinator: "My job
at Fox was to
make sure that the post-production process was on schedule so that the studio would make all of
its airdates. Voyage
was a major challenge because of the sizable amount
of special effects.
Whether we were working with giant lizards or giant whales, these kinds of effects took
time and they took longer to deliver them to the network. If we did have airdate
problems, I would go to
Bill "LB" Abbott, who was in charge of special effects at Fox and I would whine, beg and
negotiate to get
whatever effects shots we needed. He and his department
were tremendously
cooperative and we never missed an airdate. Irwin Allen had a wonderfully keen mind and he was a
showman through and
through."
Mark
says:
The scene where June Lockhart confronts her husband
over the death of their son and he violently strikes her, sending her
crashing into a wall, is one of Voyage’s most powerful scenes. Lockhart’s
anguished, bitter sobs are hard to forget. Previously, there had been
movies about giant whales, such as Moby Dick, but this TV whale is much
more realistic looking, especially in its battle scenes against the
Seaview. A solid, well-produced entry.
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Mike says: Soon after I started this story synopsis, I realized it was
going to be an expanded one. There are so many fine visuals and
effects in a story with great writing and acting -- it deserved more
than just a short synopsis and
a couple of photos. So
there you go. Even the often-lazy Sobey Martin (director
of the episode) seems to have risen
(so to speak) to the
occasion.
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