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I can't help but think, if some of these production paintings are an example of the writers story ideas, that, in effect, their eyes were bigger than their stomachs--that is, they often came up with concepts for visuals that simply cost too much to shoot. In the color years, instead of us viewers getting to see Seaview glide under the San Fransisco Bay Bridge in a long shot, we got to see the Bay Bridge through Seaview's periscope to tell us the location. More cost effective. Too bad they didn't do at least two seasons in black and white!!! |
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Whatever the purpose of these production paintings, man, those people could come up with great ideas for Irwin Allen-style mayhem! I'd give an arm and a leg (figuratively speaking) to see what L.B. Abbott and Howard Lydecker would have created for the above scene, given a sufficient budget. Note Seaview in the lower right corner. Now, that might have been a pretty rough ride for the Admiral, Captain and crew. |
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